How To Creat Clean Electric Guitar Souind

If you lot have bought a guitar amp or are thinking nearly upgrading your amp, this guide is for you.

This guide will show you how to get the virtually out of your amp by showing y'all how to become an expert in your guitar amp's settings.

Want to upgrade your practice amp to a big high-powered stack? Read this guide first

This guide is so of import because of something I see too often as a guitar teacher. I often encounter students 'upgrading' their amps considering they're not happy with the tone their electric current amp produces. It normally happens like this:

1. The student buys a new amp and plays around with it for a couple of weeks. Eventually, they become frustrated because information technology's not producing the tones they want then they go to the guitar shop.
2. The salesperson tells them that their current amp isn't suitable for the style they want to play and they recommend something else.
3. The salesperson demos the amp and the student buys it because it matches the tone they're after.
4. Afterward a few weeks, the student gets a scrap frustrated because they're unhappy with how it sounds….

This has happened to quite a few of my students over the years. Before we dig into guitar amp settings and how to punch in a great tone on whatsoever guitar amp, allow's look at what's the problem is and how y'all can avoid it:

People have different ideas on which amps are suitable for different styles

If yous desire to play a certain style, people will start suggesting dissimilar guitar amps to suit that style. While those suggestionsmight be helpful, what normally happens is it causes you to doubtfulness your own amp option (if yous already take one).

Then if you lot have amp 10 and somebody tells you lot amp Y is great for the style you want to play, you will outset doubting amp Xeven if that amp is perfect for that manner.

If you're not certain what type of guitar amp is right for you, read through my Guide on Types of Guitar Amps.

The salesperson at the guitar shop (or any other experienced guitarist) knows how to dial in good tones with well-nigh any amp

One of my students bought an unsuitable amp (in my opinion) on the spot considering the guitar salesperson dialed in a great tone at the shop. An experienced guitarist tin can make well-nigh whatsoever amp audio groovy just like an advanced guitarist tin make a cheap guitar sound far better than it is.

So if you lot go to the guitar shop in search of an amp, be enlightened that it'southward very piece of cake for the salesperson to make ane amp sound better than another.

It'south also worth mentioning that there are many tricks some salespeople will utilize to make i amp sound superior to another. For example, having one amp slightly louder than some other amp can be all it takes to make that person believe that the louder amp is superior. This is used often in the hi-fi and home theater industry – to make a more expensive unit sound better they but enhance the volume slightly.

Proceed this in listen when you lot're comparison guitar amps – even so-called 'audiophiles' tin can be easily tricked with the right atmospheric condition.

Blaming gear isn't the answer

Getting frustrated at your gear considering you can't reproduce a tone y'all hear in a vocal is a common trouble nigh beginners and intermediate guitarists experience.

I've heard of beginners buying $2000+ amp stacks because they thought that ownership loftier-priced gear volition give them great tone. That's what the amp makers want you to believe! This guide will steer y'all away from that line of thinking.

Guitar Amp Settings Presets (and why you should ignore them)

One reason why I created this guide is that I saw how many websites listing unlike guitar amp settings or presets. You lot will see a lot of websites list guitar amp presets like:

METAL: Drive 10, Bass 10, Mid i, Treble 7, Vol viii

Blues: Drive 3, Bass ii, Mid 5, Treble 2, Vol half-dozen

Rock: Drive seven, Bass 5, Mid 7, Treble 7, Vol seven

The major problem with guitar amp presets is that every guitar amp is different then the presets are useless. If you lined up 10 dissimilar guitar amps and prepare them all with the verbal same preset, each i would still sound completely different.

Read the comments on those websites and you will come across endless people complaining that they followed the advice and it didn't give them the tone they wanted.

Even if you take the aforementioned amp equally the person making the recommendations, your guitar and pedals will change your results.

The goal of this guide is to teach you to utilize your ears and figure out the correct preset for any situation on your ain. If you follow the communication in this guide you volition never need to look up another guitar amp settings preset once again.

The master lesson here is that guitar amp settings presets don't teach y'all how to use your guitar amp or how to dial in good tones.

Guitar Amp Nuts

Let'south start by getting a full general feel for the typical controls on guitar amps. The three examples below are very unlike from each other, simply you will notice some similarities in the controls.

There are countless other amps out there with different controls, and then the three below will requite y'all a adept idea of what to expect.

The Fender Mustang I shown in a higher place is a digital modeling amp which is why the section on the correct of the to a higher place photograph is then different from traditional guitar amp controls. A lot of modernistic combo amps take some effects built-in and many give the pick to save different presets.

Older philharmonic amps may be limited to reverb every bit the but onboard effect. Here are the primary controls worth mentioning:

• Gain knob
• Volume knob
• Treble & Bass knobs
• Master knob
• Preset knob with LED indicators
• Modulation & Filibuster/Reverb knobs

This amp gives a wide range of channel options and models different types of amps which is becoming more and more common with philharmonic amps.

The Marshall MG15DFX in a higher place is an case of a minor philharmonic amp with a few born effects. It'due south also simpler than the Mustang I shown earlier. Hither are the main controls worth mentioning:

• Volume knob nether 'Clean' aqueduct
• Proceeds & Book knob under 'Overdrive' channel with an 'OD select' button
• Bass, Profile & Treble knobs
• Preset/Adjust & FX level knobs for digital effects

The below amp is a Peavey 6505+ caput unit. While it might look daunting compared to the above examples, when you wait closer information technology becomes articulate that this amp is actually pretty bones.

The unit has ii channels with independent controls. So while it looks similar a lot of knobs, it's only because each channel has dedicated controls rather than chief controls. This means you lot can set different EQ settings for the 'Rhythm' or 'Lead' channels. Here are the main controls:

• Pre & Post proceeds knobs (i set for each channel)
• Low, Mid & High EQ knobs (1 prepare for each channel)
• Resonance & Presence knobs (one gear up for each channel)

When we compare the 3 amps to a higher place, we tin can come across that they all offer:

• Gain options (either one or ii gain knobs per aqueduct)
• EQ options (some combination of Bass, Mid, Treble)
• Channel and master volume options

That's what this guide volition focus on and by the end, you will be able to tweak these controls on any amp to produce the tone y'all want. Your amp may have more or fewer controls than the examples higher up, but the principal features to pay attending to is proceeds, EQ, and volume.

Remember of those controls as the core of your tone. Other features such equally inbuilt effects are something you lot consider after on.

Getting a Good Clean Tone

Learning how to go a good clean tone is an important starting step

Let's start with the most basic thing you can do with your guitar amp: getting a clean tone. This is a good starting point as it volition go yous comfortable with how the gain, EQ, and volume controls all contribute to your overall tone. It will too emphasize the importance of pickup pick.

1. Select your clean channel or turn the gain down if yous don't have multiple channels

Many modern amps will accept multiple channels so select a clean channel to get you started. If your amp has multiple make clean channels (eg: a digital modelling amp with a few dissimilar clean options), pick any for now.

2. Plough off all amp effects and result pedals

At this betoken, all you want is a very clean and dry sound without whatever effects. Plow off any compressors, boosters, delay, reverb or anything else that might be on. When you lot play your guitar it should sound dry without any hint of effects or any dust or distortion.

This is of import because it gets you thinking nigh the underlying tone earlier you utilize any effects. Quite often people get-go with effects (eg: delay) on and it distracts them from outset setting upwards a expert make clean tone. So kickoff with everything else off.

On a lot of digital amps, the make clean setting may exist a preset with some furnishings built-in. And then even if you have an option for make clean, double check to make sure all the effects are turned off.

3. Bring the bass, mid & treble knobs all to 12 o'clock

As explained earlier, every amp is different, but with most amps this should exist a neutral setting for EQ. Using this equally your starting betoken will give you lot a feel for your amp's natural tone before you start tweaking information technology. Set your amp's EQ knobs to await similar to below:

Starting with your EQ as flat as possible allows you to get a practiced feel for the natural sound of your amp. You tin ever tweak the EQ afterward on, so fifty-fifty if y'all don't similar what you hear now, it'due south skilful to get a basic starting point.

4. Keep the gain fairly low and adjust the book to a suitable level

With some amps, if you roll the proceeds knob to zero information technology cuts the bespeak. Keep the gain depression enough that you can withal hear your guitar and adjust the volume upward or down to bring information technology to a comfy level.

When you lot hitting a chord hard you shouldn't hear any type of distortion at all and it should dice off naturally. If you do hear a flake of dust or breakup in your tone, dorsum the gain off.

You probably won't like the audio of a very dry amp, merely don't worry. This is but to requite yous a baseline. Y'all will be able to roll the proceeds back in later on to find the tone y'all're afterwards.

5. Jam for a while to become a experience for the tone

Spend at least a infinitesimal jamming then change to a different pickup. Spend at least a minute on each pickup combination to get a experience for how each pickup sounds. Don't worry if the tone sounds bad as you volition before long tweak information technology to your liking.

half-dozen. Recollect about what you similar about the tone and what you don't like about information technology

This is an important step so don't skip ahead to making adjustments nonetheless! Learning how to think critically about your tone before you make adjustments is how you will get a good tone in the end. Randomly tweaking knobs or adding in stompboxes won't teach you lot to control your tone.

At kickoff, it will be hard to describe what you similar/dislike most your tone. Here are some basic examples of what you might exist thinking:

• It sounds too dingy
• It sounds thin and hollow
• I'1000 getting a twangy sound
• I similar how crystal clear it sounds
• Information technology produces a weird boomy sound when I play chords

Over time y'all will exist able to get more specific well-nigh what you like/dislike well-nigh your tone so spend a few minutes at present trying to describe your tone.

7. Start making pocket-sized adjustments to fix whatever problems yous hear

The previous pace is so important because you demand to beginning know what you don't similar about your tone before you make any changes. Tweaking knobs without a specific goal won't help you lot get a practiced tone.

At first, yous may non know how to set a trouble such as 'information technology sounds thin and hollow', just this experimenting stage will teach yous how each knob affects your tone. So while I'd like to give you a recipe for fixing any possible bug, y'all won't learn much from information technology.

Here's an instance of the type of experimenting to go through when trying to fix a problem or make an improvement:

Let's say y'all feel your tone is thin and hollow.

1. Start by turning the bass knob up and jam for a chip with each pickup. Did that ready the problem? The chances are it volition still audio sparse only now has a more boomy sound. Turn the bass knob back.
2. Plow the mid knob up. Did that set up the problem? This time it will probably audio muddy as if the amp was made out of paper-thin. Turn the mid knob back.
3. Turn the treble knob upwards. Did that set the trouble? It's like it will sound even thinner but now have a bright or shimmering sound. Plough the treble knob back.
4. Turn the proceeds up and suit the volume down to compensate. Did that fix the trouble? It's likely that information technology fills out your tone merely you lot nevertheless experience information technology's a bit hollow. If this made an comeback, you would then continue by either trying to raise the gain some more or keep the modify and go back to the EQ knobs to further improve the results.

And so for this example, you might find that turning the proceeds up and adjusting the bass and mid knobs solves the problem.

Remember of the higher up example as a fashion to figure out how to overcome whatever problems in your tone. Go through each setting ane at a fourth dimension to figure out which setting helps solve the problem. At that place isn't a rulebook that gives perfect solutions to any trouble and so that's why this process is important to larn.

Once y'all solve whatsoever outcome or problem you hear in your tone, y'all can shift your focus to anything else that doesn't sound quite right. The main lesson here is that the but way you will be able to end up with a bully tone is if you lot take the time to acquire how each knob impacts your overall tone.

8. Add together in any effects y'all desire afterward you're happy with your tone

A good delay tin enhance your clean tone

Only afterwards you have tweaked your way to a tone you're happy with should you even consider adding any other effects or pedals into the mix. The reason is that you want your other pedals to heighten your tone – non to effort and gear up a crappy tone. A lot of people get this the incorrect way around and start ownership pedals to fix a bad tone.

Don't buy more gear because you lot're unhappy with your tone. Get your make clean tone into a expert position and then you tin await at how your other pedals might enhance your tone.

When you practise add together whatsoever effects in, kickoff with the mix of the outcome low and slowly raise it until you find the right level. Information technology might sound good to crank the effect upward, but in near situations having the result a bit lower in the mix ends upwards with better results.

If your amp doesn't have inbuilt effects or you adopt to use pedals, here are a couple of guides to aid you find suitable pedals for your clean tone:

• All-time Delay Pedals – delay is a great way to give your clean tone a fuller sound
• All-time Reverb Pedals – while non as popular as delay, reverb can make your clean tone feel more lively – especially at abode
• All-time Compressor Pedals – you'll exist surprised by how much a compressor pedal tin can heighten your clean tone

9. Try coming up with different types of make clean tones

Mind to a few dissimilar songs or guitarists using clean tones and you lot will hear a wide range of different sounds. Some guitarists similar a rich tone full of sustain to the signal where it almost sounds similar overdrive. Others similar a burnished-like tone while some prefer a bit of grit in their clean tone to give it some edge.

Try to experiment with your clean tone to get a experience for the overall range your amp has to offer. The more than singled-out make clean tones you tin produce with your amp, the more than options yous will have subsequently on so it's worth the time spent experimenting.

Here are a few examples of songs with clean tones you might want to try replicating:

• Sweet Habitation Alabama – Lynyrd Skynyrd (a very twangy clean so make sure you consider your pickups)
• One – Metallica (listen to the deviation in tone between the rhythm and atomic number 82 tones in the intro and endeavour to replicate both)
• Majestic Rain – Prince (starting time try to replicate the silky clean tone before you add any effects)
• Piffling Wing – Stevie Ray Vaughan (heed to the slight grit in the tone when picked hard. Also heed to the Hendrix version for a very different tone)

The more different make clean tones y'all can produce, the more flexibility you volition have when writing your own music or trying to replicate somebody else's tone. So listen out for any make clean guitar and attempt to replicate it with your amp.

Using Pedals or Your Amp For Your Gain

A skillful overdrive/baloney pedal can be a neat culling to using your amp'south drive

Now that you lot take experimented with getting a adept clean tone and y'all have a good feel for your amp's controls, you can turn to a distorted/overdriven tone.

There are two main ways yous tin get a distortion/overdrive tone: use a pedal or use your amp. The correct option for y'all depends on what gear you accept bachelor and what sounds y'all want to produce. Quite oftentimes a person gets frustrated with their amp because they're unhappy with the distorted tone they're trying to produce.

Experimenting with using pedals or your amp (or a combination of both) to produce your distorted/overdriven tone is a good starting indicate when getting the most out of your amp.

Some guitarists are adamant that your bulldoze tone should come from your amp while other guitarists are just as insistent that the best drive tones come from pedals. I suggest that instead of limiting yourself to one manner or another, keep your mind open to all options.

One twenty-four hour period you might notice a pedal or amp that delivers a great tone and so don't restrict yourself for at present.

In my Guitar Effects Form, y'all tin can hear examples of different ways to create a drive tone. Y'all'll be able to compare an overdrive from an amp vs a pedal, and y'all'll larn how to 'stack' your drives for some incredible tones.

Getting a Adept Drive Tone

Let's go through how to call back nigh bulldoze tones and how to set upwardly a expert tone on your amp.

ane. Think about what y'all want out of your tone

The start thing to think most earlier y'all start setting upwards a drive tone is what you lot want to utilize the tone for. A lot of guitarists don't retrieve about this and end up with a sub-par tone as a result. The bulldoze tone you create should match what you will play.

For instance, if you're playing rhythm guitar in a band with ii guitarists, turning upwards the proceeds too high or adding in effects like delay can easily ruin your band'due south overall sound. People will struggle to hear you in the launder of racket.

While your rhythm tone might audio great on your ain, things change when you lot're playing in a ring. On the other manus, a high proceeds tone with delay tin be perfectly suitable when playing solos or lead lines. So remember that the drive tone y'all use must lucifer your situation.

Here are a couple basic examples of what type of bulldoze tone works best for different things you might play:

• Metal rhythm riffs: using a adequately low gain will bring the clarity out in your riffs. Likewise much gain might audio good on your ain in the chamber, simply alive or on recordings information technology tin can turn your tone into a mess. Lower proceeds gives you more definition to your riffs.
• Strumming ability chords: a fairly depression proceeds gives your chords more punch. Too low gain will thin out your tone and make the chords audio less powerful.
• Stone/metallic solos and atomic number 82 lines: higher gain volition give you more sustain and help with any compression harmonics you desire to add in. Calculation in furnishings such as delay tin can give your tone a fuller sound.
• Dejection lead or rhythm: your bulldoze plays a big role in the feel and grapheme of your playing. A warm overdrive that slightly breaks upwardly your clean tone can give you plenty of inspiration. A highly saturated tone works when you want more sustain – simply use your volume knob to roll the bulldoze back and clean up your tone every bit needed (similar to how Hendrix achieved his make clean tone while playing live).

The commencement three examples above could all be plant in the ane vocal, so information technology's important to remember that the tone you create should match what you're playing. A song might beginning off with an intricate riff needing definition, so it might motion into a ability chord based verse needing less proceeds.

When information technology comes time for the solo you might find that some extra gain and filibuster allows your solo to shine.

While y'all could get away with having one bulldoze tone for everything, you're not going to exist getting the best out of your gear. The best tone volition change to friction match what y'all're playing.

two. Start with an appropriate pickup

It's hard to become a precipitous and punchy rhythm tone when you're using a single-coil neck pickup. It's simply as hard to get a smooth and thick lead tone when you're using a loftier power humbucker on the bridge. So get-go off by choosing a pickup setting that matches the type of tone you lot will need. If yous're unsure which pickup should piece of work all-time, let your ears decide.

If you're an experienced player this might sound obvious, simply it's worth remembering that yous should regularly switch between pickups when tweaking your amp's settings. Accept a listen to how your dissimilar pickups touch your drive tone and which pickups are the best fit for the bulldoze you come up up with.

3. Choose a suitable amp model (for mod digital modelling amps)

Your amp may have a lot of models to choose from. Take the time to learn how each one sounds

Many modern amps will give yous a range of dissimilar amp models to choose from. This can frequently brand finding the right tone complicated as yous're always wondering what the other amp models sound similar.

If you're non already very familiar with the different models your amp offers, take some time to get used to each one. Spend a few minutes with each model and jam with it. Get a feel for what style of music the model would suit and whether you similar the tone or not.

After doing this you volition probably find that you like a couple of the models and dislike the rest.

Discover the model that is the closest to the tone y'all're later on without having to tweak annihilation. It's possible to tweak other amp models to get the tone you're after, but start off with the bones amp model and try to observe the closest one.

Once you lot've found the amp model that gets you lot shut to the tone you're afterward, you lot can motility to the next step.

4. Set the EQ apartment and turn off any effects

Merely like with your clean tone, the goal is to showtime off with a very flat EQ bend and so you get a feel for the amp's natural sound. You probably won't like how it initially sounds, only it'due south not a proficient idea to skip this step.

For now, leave the proceeds fairly depression. We will adjust the gain after so don't worry if information technology isn't at the right level. As long as your EQ is flat and all your effects are turned off, motility on to the next step.

5. Spend a few minutes jamming with this tone

Remember that you want to match your tone to a specific situation (eg: chord strumming, lead, riffs, etc.). So make certain you lot just play the type of stuff you want to apply this drive setting for. That means don't jam with both lead and rhythm parts because you will want different things from your tone for those situations.

If you lot want to go a good atomic number 82 tone, play lead. If you desire to ready a good rhythm tone, play the type of rhythm you want to play.

Spend some time jamming with this setting and try to think what you like or dislike about the tone. Does it audio dirty? Is it thin? Does it have besides much of a high-stop bite? Think about what you would like to change about the tone for a while before y'all make any tweaks.

six. Start fixing whatsoever issues you hear in your tone

Just similar with your clean tone, you should turn one knob at a fourth dimension to learn how information technology affects your tone. Turning the bass knob up or down with a drive setting can sound completely dissimilar from turning information technology up or down with a clean setting. So fifty-fifty if you followed the above steps with your clean tone, you nevertheless need to become through the steps with your drive tone to learn how your EQ affects your tone.

Allow'south say your tone sounds too boomy when playing palm-muted riffs. Here is an example of how you should attempt to gear up the problem:

1. Commencement by checking to make sure the problem isn't with your pickups. Jam for a while with each pickup and take annotation whether the boomy audio changes or not. Go on through the steps with the pickup that gives yous the to the lowest degree boomy sound.
2. Turn the bass knob down and jam for a bit. Did that ready the problem? It probably did, but just for this practice, turn the bass knob support and so you tin can hear how the other settings might as well change your tone.
3. Turn the mid knob down. Did that fix the problem? Depending on your amp you might hear slightly less boom but the tone will probably sound slightly hollow. Turn the mid knob dorsum.
4. Plough the treble knob upward. Did that set up the trouble? You will probably yet have the verbal same boomy sound, but now your riffs have a 'sharper' or brighter sound. Plow the treble knob back.
5. Turn the gain down and adjust the volume upward to recoup. Did that set up the problem? It might accept partially stock-still your problem depending on your amp.
6. Think nigh how each knob affected your tone. If any of the changes yous made improved your tone, brand that modify at present. In this example, it probably ways you would lower the bass knob, slightly heighten the high knob and suit the gain down slightly.
7. In one case you lot make those changes, jam with the outcome and call up about what further tweaks you lot might want to make. Repeat the steps until you find the setting that doesn't need any more than tweaks.

Call back that every amp is different and so if you lot have a problem with your tone the only way you will solve it is to go through the steps above.

7. Add in whatever effects you want to use

A compressor tin can exist an piece of cake way to requite your lead tone more sustain and width

Depending on what you desire to play, you lot might add in effects such as filibuster or a compressor, or you might use modulation effects such as a phaser or chorus. Suit the result'southward settings to conform your tone. You might as well need to brand slight tweaks to your amp's settings afterward you add in any pedals, but they should really be simply minor tweaks.

8. Adapt your proceeds to the right level

One time you have added in whatsoever furnishings, you tin can at present adjust the gain to notice the ideal level. Start with the gain turned right downwards and slightly turn it upward a little chip at a time while jamming. Every time you turn the gain up, think to yourself whether the change improved your tone or not.

Y'all will discover that at a certain signal calculation more proceeds doesn't improve your tone. When yous reach that point, start slightly rolling off the gain and ask yourself whether it improves the tone. You lot will probably detect that yous can whorl a fair scrap of gain off before it starts feeling like yous're taking away from your tone.

Your ideal gain level is somewhere between those two points. It'southward non an exact science and so go out your gain at a level where yous feel happy with the result.

9. Write down the settings yous used for this drive

Writing down the exact settings yous utilize forth with any notes such every bit what you lot like about the tone or what type of playing it suits is a slap-up way to larn how to get the well-nigh out of your gear.

Every time you come with a new drive tone, write downwardly notes then you can reproduce information technology. In a yr's fourth dimension, you might accept 20 unique drive tones and verbal settings to reproduce them as needed. Or if y'all record a vocal with a certain tone, you lot now have a manner to reproduce that tone exactly.

Not only is this a expert way of keeping a record of the tones y'all come up with, but it helps you learn to get the about out of your amp. I've seen a lot of students struggle with their tone because they don't acquire from their experiences.

Written notes help yous retrieve how and why different settings sound good or bad.

x. Endeavour to replicate different drive sounds from different guitarists

Go through your music collection and pick out 5 completely dissimilar drive sounds. Try to find a mix of both rhythm and lead tones and in different styles if you tin. The goal here is to see how wide yous tin can button your amp.

Can yous get a solid rhythm metallic tone, a warm blues tone, a high sustain lead tone or a vintage stone tone all with your amp? If you take the time to experiment with your amp, you'll be surprised how many different tones y'all tin attain – especially if you take a modelling amp.

Even if y'all only like to play i fashion of music, information technology'south even so worth trying to come up with different tones. Every time you endeavour and emulate a dissimilar tone, you learn how your amp works. So when y'all go back to your original tone, you volition find you can brand further improvements to it. It's worth the endeavor.

Get More than From Your Amp

If you spend time applying the advice in this guide, you lot will acquire how to get the almost out of your amp. Don't wait to rush through the above steps once and get an expert on your amp'southward tone. It doesn't piece of work that mode. Your ears need time to learn how your amp'due south EQ knobs affect your tone or how much gain is the ideal amount.

Exercise getting to know your amp just like yous would practise a song. The more fourth dimension you spend slowly going through the above steps, the better your tone will become.

Guitar Effects Grade

If you use whatever guitar pedals or are thinking of calculation furnishings to your rig, check out my Guitar Effects Course. The class gives a complete overview of the near mutual types of guitar effects, how they work and how to get the all-time audio out of them.

The more you understand guitar furnishings, the easier it is to use them to craft a better tone. The guitar effects course will encompass everything y'all need to get the well-nigh out of any pedals you own.

Other Useful Guides

There'south a lot more yous can do to achieve a practiced tone with your amp. Here are a few guides to assistance you get more out of your amp:

• vii Tips for a Great Guitar Amp Tone
• Can You Use a Guitar Amp as a Speaker?
• How to Play Electric Guitar Without an Amp
• Different Types of Guitar Amps Explained
• Best Battery Powered Mini Portable Guitar Amps
• How to utilise the 4 Cable Method

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Summary

Article Name

Ultimate Guide to Guitar Amp Settings

Description

Looking for guitar amp settings for a style of music or specific tone? Allow's exercise one better and learn how to become the most out of your amp by ear.

Writer

Aaron Matthies

Source: https://guitargearfinder.com/guides/ultimate-guide-to-guitar-amp-settings/

Posted by: guilloryfolut1991.blogspot.com

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